A journey through Friedman’s elusive repertoire, recorded between 1993 and 2011. Pioneering percussive, dubbed out minimal electronic-acoustic music and tribal ambient electronica.
These tracks feel more smudged and ruffer ‘round the edges than the majority of his output to date for Nonplace, seeking out textured electronic noise and delivering some of the sharpest, technoid drum patterns in his entire catalogue.
Composed and produced by Burnt Friedman between 1993 and 2011
Reeds on A1 by Hayden Chisholm
Sarod on A2 by Takeshi Nishimoto
Mastered by Rashad Becker at Dubplates & Mastering in Berlin
Distributed by Honest Jon's in London
Photography taken by Rebekka Deubner